The cute anthropomorphic animal characters of Aggretsuko make the series instantly disarming to viewers. After all, Sanrio, the creators of the series as well as behind the internationally cherished character Hello Kitty, have decades of dealing in cute under their belts and ready to share with the world. When Aggretsuko, a series about office worker red panda named Retsuko who channels her everyday anger into rage metal karaoke, was announced for Netflix over a year ago, it was hard to tell what they could do with the series and what it would ultimately mean. Continue reading “Aggretsuko’s Rage toward Progression”
If I could just have a brief moment of your time, I would like to discuss how it’s possible to have one simple but significant scene that ties a whole movie together. I recently — finally — watched the film Snowpiercer. Coming from the director of the Korean film The Host, I had no doubt that it would be an entertaining film. It was! It is a story about a post-apocalyptic ice age in which the survivors live on a train that endlessly loops on a track, with the areas of the train essentially broken down by class. The film follows a group of people living in squalor in the tail end who have had enough, especially after the kidnapping of some children, and fight their way to the front of the train. Continue reading “The Impact of One Scene in Snowpiercer”
If I could just have a brief moment of your time, I would like to discuss a new level of appreciation I have for Mega Man X5. I was afforded the opportunity to play it through it for the first time in maybe a decade over Father’s Day weekend, since my wife gifted me with a lazy weekend. X5 was a game I once considered one of the best in the series. My mind changed upon revisiting it, but that’s another story. My play through this time brought a deeper understanding of its design and how it can be manipulated. Continue reading “Mega Man X5’s Enigma Solved”
It’s a big claim to state that a game is perfect or nearly perfect. Another World is, though. After avoiding this game for over two decades, I finally understand why it is a marvel. I understand its influence. After all, it is said that this game influenced Hideo Kojima and Suda51. That’s for better or for worse. Those two are behind some incredible games. They are also games with massive missteps, too. Don’t get me wrong. Metal Gear Solid 3 and No More Heroes are two of my favorite games. That doesn’t absolve them their shortcomings. Another World isn’t above its own.
What makes Another World so close to perfect is its combination of simplicity and scope. From the beginning, the game presents very little direction. The player receives instruction, then is thrown into a world that is supposed to be explored. After the opening cinematic, the player is teleported into a lake without any indication that control has been handed over or that players can even swim. From there, the player likely drowns if it’s the first time playing the game. Then the player realizes that it is literally sink or swim in this game’s world. No one explains that running to the left from the big beast will take the player to a vine that let’s them swing around the beast. No one explains that hitting the attack button after an alien has grabbed you will kick it in the junk. No one explains that, in another situation, going to the left will take the character into the background. Yet at no point does it feel unfair. Except in terms of shootouts.
The only point in the game where controls appear on the screen is after picking up a gun. Guns have three modes: shoot, shield, and charged blast. Knowing how and when to switch between the modes is the key to continuing in a couple of spots in the game, with the problem being that bad guys may walk up to the shield, stick their guns on the other side to shoot your character in the face. It’s not even a matter of skill to avoid it. It’s a matter of luck with the actions they take. There are mitigation strategies, but nothing seems to work consistently.
Despite that, the game successfully takes the player on an adventure with little context. Aside from the shootouts, there are no unnecessary moments in the game. That makes it brief, which is not a bad thing. A fun game that is brief can be played over and over again without feeling like a chore. And for my money – and this is literally the money that I spent on the game – that is exactly what I want. I want games that make me want to come back again and again, to go on that adventure and re-explore the world. Some people want a game that makes them lose themselves in a world. I think getting lost is a trap, and a game that makes you willing to come back is so much more powerful.
The inspiration behind the original 1954 Godzilla film should be fairly well known at this point. The nuclear fallout of the atomic bomb as well as the tragedy of the Daigo Fukuryu Maru fishing boat were on the minds of the screen writers who crafted the tale of the horrors of nuclear powers on the Japanese citizens. It’s a tale of tragedy upon tragedy. Even in the more lighthearted films featuring Godzilla as the hero there still remains tragedy. After all, Godzilla, like the Japanese citizens, was also a victim of the bomb. This is so obvious that the recent American Godzilla films should be considered offensive. Oh yeah, spoilers ahead. Continue reading “What were they thinking with Godzilla: King of the Monsters?!”
If you have not noticed, the stories in the media tend to serve us the same tropes over and over again. There are no original stories, but the packaging we’re served can be quite amusing. This isn’t a bad thing. If you go back to ancient traditions, stories were meant to circle the same intentional lessons – but it was the storytellers who were most important in bringing them to life and keeping people interested. That part seems to be the problem these days. It’s why I’ve come to enjoy being what I call “media adjacent.” It’s become much more enjoyable watching how other people talk about media. Continue reading “Media Adjacent Consumption”
For many, it seems the emotional climax of Avengers: Endgame was the sacrifice of Tony Stark when he snaps his fingers to send away the time-displaced Thanos and crew. This was his sendoff as the big damn hero of the Marvel films. While fans still get weepy about their moneyed power fantasy benevolent rich white guy character, I look back on it and realize that he absolutely needed to go. His selfishness caused the whole mess and allows for further problems to come. Continue reading “Avengers: Endgame – Another Selfish Iron Man Story”